installation | immersive | generative music
Internal Organs (2023)
A 4 channel interactive installation for virtual organs.

Internal Organs is an interactive sound art installation. It was first installed at Organ Sound Art Festival 2023 in the basement of the old church of Koncertkirken.
The installation consists of 4 audio channels that continually generate new organ music. As the audience move around in the installation, a network of small electronic sensors pick up their proximity to the speakers while laser “tripwires” set off new melodic content in the organ composition as they move around or enter/exit the work. All movements registered by the sensors result in new compositional decisions made by the algorithm responsible for generating the musical material.
The composition is organized in different “states” – roughly speaking these are: a drone state, an arpeggiator state and a spontaneous state. While the installation is running, it will change between these states at will – each time resulting in a new way for the audience to interact with the running composition.
Supported by Statens Kunstfond.
Part of longterm project Algo-Generative Music Composition

Algo-Generative Music is what I call my practice of composing using a combination of maths, probabilities, or numeric rules, often organised in patterns reminiscent of weaving recipes. It's an ongoing project exploring what musical possibilities might emerge when we abstract musical expressions into relative instruction sets, numbers and data to allow the creation of ever-evolving figures and structures in time and harmony.

Hyphal (2025)
Algorithmic music for a computer-controlled pipe organ, celebrating life.
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Life in the Quiet Zone (2025)
An audio essay about the so-called quiet zone in the Copenhagen S-train system.
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Moans and Groans (2025)
The forest is a sex toy: Recreating the wind in the trees through a series of sound sculptures with vibrator motors.
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Title: Geophonic recording of a tree in the wind
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Empty Cloud (2025)
12 hours, 15 minutes and 7 seconds of minimalist background music.
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Space In Between (2024)
Slow ambient piano looping with the window open and the outside world seeping in.
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Title: 15:15 PM (Excerpt)
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Internal Organs (2023)
A 4 channel interactive installation for virtual organs.

Musik for virtuelle orgler (2023)
A release of algorithmic organ music for virtual organs on SuperPang.
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Title: Har Mødt En (Met someone)
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Death Told So Clearly To Fuck Off (2022)
Ambisonic (3D audio) piece for speaker domes.
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Title: Binaural rendition of 'Death Told So Clearly To Fuck Off'
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Singularity: Music for a dance performance (2022)
Interactive sounds and music for solo dancer Külli Roosna.

Akkorder (2020)
Algorithmic music CD release on Ambitious Tapes.
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Computer Music Journal, Volume 44, Issue 4 - Space as instrument (MIT) (2020)
Feature in MIT's Computer Music Journal.

Hold Time (2020)
Algorithmic music release on SuperPang.
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Title: Track 2 from 'Hold Time'
MP3: /audio/music/hold2.mp3
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I Solens Flint 1000 Floder (2019)
Ambisonic (3D audio) piece for speaker domes, commissioned by NOTAM and Ultima Festival.
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Title: Binaural rendition of 'I Solens Flint 1000 Floder'
MP3: /audio/music/solens.mp3
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Hollow Body Timbals (2018)
Field recordings of cicadas. CD released by FLUF.
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Title: Track 1 from 'Hollow Body Timbals'
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Else Marie Pade 'Samlede tekster' (2017)
A book collecting all texts written by the Danish composer Else Marie Pade.

Music for Power Supplies (2017)
Drones based on electromagnetic recordings of studio power supplies. Released by Co-Dependent.

Spatial remixes of classic electronic music (2019-2021)
Classic pieces remixed in ambisonics for speaker domes and sound diffusion systems.

Sværm: Båndmagasinet (The Lake) (2019)
Harmonic drone piece released as part of the Tape Magazine by The Lake/Resonans Recs.
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Title: Sværm
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States of Emergency (2018)
Electroacoustic music, released by Conditional Records.
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Title: States Of Emergency track 1
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